{"id":3377,"date":"2013-01-02T17:14:35","date_gmt":"2013-01-02T22:14:35","guid":{"rendered":"http:\/\/aboutrc.com\/?p=3377"},"modified":"2013-01-02T17:14:35","modified_gmt":"2013-01-02T22:14:35","slug":"great-kid-shots-some-tips-and-tricks","status":"publish","type":"post","link":"https:\/\/aboutrc.com\/?p=3377","title":{"rendered":"Great Kid Shots: Some Tips and Tricks"},"content":{"rendered":"

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I am an unabashed man of making pictures of my daughter Sabine. \u00a0Long long time ago, I cut my chops working in a\u00a0children’s\u00a0portrait studio, and really loved the process of making images with kids. \u00a0One of the things that always surprised parents was how much pre-planning and misdirection was involved with the whole process of taking a childrens image. \u00a0Because of that, I am (too a fault) hyper critical of the very images that I shoot. \u00a0Usually when I hear a “Oh, that is such a cute shot of.. ” in my head im almost always saying “Oh you shouldve seen it.. we had to do this.. and that”<\/p>\n

In that spirit of tipping my hand, I wanted to share a couple of things I think totally work on making great pictures of kids. \u00a0These are tricks that are totally applicable of any person – male or female – young and old. \u00a0But you will be surprised as to how much it can help with kids.<\/p>\n

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Pre-Light The Scene With a Stand In<\/strong><\/p>\n

When taking pictures of people, the amount of time they spend in front of the camera is critical. \u00a0If you can bring that amount down, you will be regarded as a hero. \u00a0I would normally ask one of my friends to pop in while I set up lights ahead of time (this is called a pre-light). \u00a0This lets me get the type of light down – generally. \u00a0At this point, I can get close and just focus on finessing. \u00a0With kids, i’ll go ahead and stack a couple of apple boxes to have something to throw a light at. \u00a0 Once you have the spot set, make sure that you set a mark on the aea. \u00a0I tend to use different colors of tape for this.<\/p>\n

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Lock That View Down<\/strong><\/p>\n

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This is a scenario where having a teeny bit more camera resolution will help you. \u00a0I’ll generally setup my camera in a specific height and\u00a0composition\u00a0 \u00a0By having myself set in a specific area, I can not be so focused on holding the camera and looking at the viewfinder. \u00a0I know that any shot that happens in this general vicinity will be good.<\/p>\n

You cant really find them all too much anymore, but I really dig my Titan Sidekick studio stand. \u00a0Basically, a pole with a trigger grip that can go up or down. \u00a0This has proven absolutely essential as it’s let me quickly increase height and angles by just squeezing the trigger and moving up and down the pole. \u00a0If you can get one (or comporable) online, i’d recommend it. \u00a0Just Google It.\u00a0<\/a><\/p>\n

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Use a Cable Release<\/strong><\/p>\n

For a person who does not like to have their picture taken, you should imagine that they feel like they are staring down the barrel of a gun. \u00a0It really is that unnerving. \u00a0The entire “Wait for it.. wait for it.. wait for it… when is he going to click that shutter… oh.. here it comes” can just set you up to produce really bad pictures.<\/p>\n

Instead, invest in an inexpensive cable release. \u00a0You can go on the B&H website and get a cable release for about 20 dollars<\/a>. \u00a0This will \u00a0get your eye off the camera and let you control the action by pressing on the cable.<\/p>\n

In getting your eye off the camera, I would focus on talking to the subject by having your head slightly to the left of the camera. \u00a0This will let you interact and talk. \u00a0As soon as you see a good moment happening, hit the remote! \u00a0This will subconciously also tell the person that there is no “wait for it” moment, and that interaction is a lot more important.<\/p>\n

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Be Ready To Shoot. \u00a0A Bit.\u00a0<\/strong><\/p>\n

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Whether it be a Facebook picture or a studio picture, I am always one to work the shot for a little bit. \u00a0When I get my iphone out for a shot, I usually dont go “Smile”, hit the shutter, and we’re done. \u00a0I’ll usually try to work that session for 15 to 20 shots. \u00a0All the time. \u00a0And so should you.<\/p>\n

Here’s the thing. \u00a0One shot gives you one chance to get the emotion right. \u00a0As you take more and more shots, you’ll increase your chances at one of those being a keeper. \u00a0It also gets the person ‘in the groove’ of the shoot. \u00a0You’ll notice that the later shots have a more relaxed look and are generally better.<\/p>\n

This also helps you deal with the “in between” problems. \u00a0There are plenty of times when you say “Smile” and the subject smiles a little early. \u00a0You pop the shot, and the subject is on their way to the next thing. \u00a0Those ‘in between’ moments are blackmail pictures, but should never really be shown. \u00a0If you take more than one shot, you’re going to increase your chance at having better shots.<\/p>\n

You can always delete the inbetween shots later. \u00a0Or save them for blog posts.<\/p>\n

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Timing Is Everything<\/strong><\/p>\n

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When you start shooting, its very important that you get used to starting to hit the trigger right before the action is starting. \u00a0As you start interacting with your subject, you’ll quickly start noticing when they are breaking into a smile, or breaking into a specific look. \u00a0Do not wait for the look to get there before you squeeze the remote. \u00a0Instead, get used to trying to shoot right before it, and right ‘on” the moment. \u00a0You’ll notice that those moments “right before” will get closer and closer to the exact moment, giving you a great result. \u00a0In the example above, we did this through three jumps up and down on the apple box. \u00a0The last one really got me the look I wanted (but the second one wasnt that bad)<\/p>\n

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Keep the Sessions Short<\/strong><\/p>\n

It goes without saying, kids have short attention spans. \u00a0While I tell you to shoot often, I would also remind you that it would be best to keep the sessions short. \u00a0I try not to shoot more than 10 minutes without some break, change, or something. \u00a0Water time, Food Time, Ipad time. \u00a0By keeping the breaks plenty, you can get some time to go back and reassess what you are doing as well as make sure tht they are keeping themselves fresh.<\/p>\n

Now, as soon as you get into a session and you get a good shot – stop there! \u00a0There is no need to add to your post worfklow by trying to get lightning twice. \u00a0If you get some good shots early… call it a wrap and be grateful that you get to shoot another day.<\/p>\n

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Let those be your rewards for having your ducks in a row, and planning. \ud83d\ude42<\/p>\n

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